Unit 9- Digital editing for moving image

Pioneers of film making

• The lumiere brothers 
• Sergei Eisenstein 
• Edwin S. Porter 
• D.W Griffith 

Cinematograph

Fade in and out
Overlapping dissolves
Stop motion photography

Unit 9- Digital editing for moving image

What is editing?:

• Combining clips, ordering sequence. 
• Adding audio
• Making adjustments 
• Adding effects, SFX, VFX. 
• Text, subtitles, captions, credits, title sequence. 
• Grading, colour correction, exposure, saturation,
• Animate
• Post production, production 
• Lighting
• Slow motion
• Green screen, video composition
• Establishing shots 

Process of different shots and putting them together to tell a story. 

Elliptical editing allows you to fill in the gaps.

Non diegetic sound, the actor cannot hear the music but the audience can. 

Overhead Establishing shot

Shot reverse shot, cutting back to actors talking to each other.

Wipe, cuts to a different location and time.

What is continuity editing?

Continuity editing should appear to be smooth, consistent and seamless. To create a story/ sequence 

What is montage editing?
Informative, fast paced, time compression. 
Cut up clips from different scenes to convey a range of different actions or themes. 

Examples of continuity editing:

   

storyboard

Storyboard

• Location
• Camera angles, shots
• Lighting
• Characters 
• Directions, camera 
• 
  

Unit 3, D.M.I.P

Project management- Quality control, Time keeping, Teamwork,

Proposal: Creative+Technical intentions, 

Characters, Celebrities- Reason for your choices. 

Pitch,

Idea Generation, 

Themes+Sub Plot, Calming, Revitalising, Nostalgic, Patriotic

Setting/Location, 

Costumes/Props, 

Representation,

Camera techniques, lighting, sound, diegetic, non diegetic audio

GlossaryN

Codes and convention-
Signs that creates meaning: Symbolic and Technical codes

Symbolic codes- Location, Settings, Wardrobe/Costume, Props,

Technical codes- Camera works, Lighting, Sound, Editing,

Conventions- Common feature (Patterns) that can be found in a genre.

Horror films- Colour red, blood, danger, conflict, war- LOWKEY=MIDKEY, Costume, props

NW-
Establishing shots- Blurred highlights, out of focus.
Close up- Low angle shot of the character.
Aerial/Low angle of traffic.
Elliptical editing-Controls time

Brief

• Use of characters 
• Representation of characters

Competition- Marketing, Promotion

1. Advertisement

 Key Features:

1. Style- Informal, Formal, Abstract, Realist, Anti realist
2. Representation 
3. Narrative structure- Linear, Non Linear, Multi strand, Realist, Anti Realist  
4. Codes and Convention- Symbolic, Technical 
5. Use of characters/ Stars 
6. Themes and sub-text 
7. Setting
8. Props
9. Costume
10. Make-up
11. Movement visual effects 
12. Camera work and sounds 
13. Mis en Scene- The settings or surroundings of an event, Framing, composition, Purpose, Meaning, Props, Costumes, Visual Elements, 

Unit 9: Digital Editing for Moving Image

Continuity- Elliptical, JumpCuts, 180D Rule, Eye line Matching,
Montage- Metric, Analytical, Idea Association, Time Compression, Transitions,
Relational- Contrast, Parallelism, Symbolism, Leit Motif

Continuity: Melies, Porter, Griffith.
Montage- Eisenstein
Relational- Kuleshov, Pudokin

Agitop; Agitation and Propaganda

Unit3: Digital Image Moving Production

Formats- News, Soap, Quiz, Chat-shows,
Platforms- TV, Web, Cinema etc...
Purpose - Inform, Entertainment, Education

Serial- On going storylines, for example soaps.
Series- Independent episodes

Key features- Storyline
Narratives- Linear, A >B>C,
Non-Linear: Flashbacks, Flashforwards, Prologue, JumpCuts, Elliptical edits
Multi-Stranded- Game of Thrones
Realist- News, Documentaries, Chat Shows, Soaps
Anti-Realist- Movies, Animations,

PLOT-
Exposition- Introduce Character, Location, Introduce Conflict, Actions Builds... Climax
Resolution- Cliffhanger, The end
       

Unit 9

Editing Techniques:
-180 degree rule
-Eyeline match
-Match on action, Cut to action
-Cut to beat
-Jump cuts. Cross cuts
-Shot reverse shot, conversation/dialogue
-Elliptical Edit
-Flashback, takes the audience to one time to another
-In camera editing
-Fade in and out
-Overlapping dissolves
-Stop motion photography

Continuity Editing
- Cutting style that maintains a sense

SAPCE&TIME

Sound;
-Non diegetic
-Diegetic

Montage Editing;
-Metric
-Analytical
-Idea association
-Time compression, Flashback/Flash forward
-Transitions, Wipe, Fade, Peels, Dissolves
Gives the audience a quick summary about a certain character in this case the police officer on what he has done and went through to become a police officer. Compresses Time and Space (Past&Present)

Name: Eisenstein
Film: Battleship Potemkin
Release Date: October 14, 2007 (United Kingdom)
Editing Techniques: Eisenstein 5 techniques:
1- Metric
2- Rhythmic
3- Tonal
4- Overtonal/ Associational
5- Intellectual
Why he is important to his films?:

Unit 3: Digital Moving Image Production

Lesson Objective:
1- Recap on the formats of Moving Image Production
2- Introduce the platforms

Technical covers- Camera, Lighting, Sound, Edited

Patterns in Structure- Narrative, Technical&Symbolic

Symbolic- Locations, Props, Costume.

Purpose- Stephan Hawking, Entertain, Educational, Inform, Biographical, Raise awareness.

Intention- After the public perspective, Build a connection to the subject.

Target Audience- 15 BBFC- Well written stories, Real life stories, Factual, Age 25+, Gender both male&female, Social, Lifestyle, Region,

Social Grade Classification-It was developed for use on the NRS, and for over 50 years NRS has been the research industry’s source of social grade data.
The classifications are :
A- Upper Class- Higher managerial, administrative and professional
B- Middle Class- Intermediate managerial administrative and professional 
C1-Lower Middle Class- Supervisory, clerical and junior managerial, administrative and professional
C2- Skilled Middle Class- Skilled manual workers
D-Unskillied,Skilled, Working Class-  Semi-skilled and unskilled manual workers<
E- Unemployed- State pensioners, casual and lowest grade workers, unemployed with state benefits only

ANT&DEC SATURDAY NIGHT TAKEWAYS 

AGE- 16+ 

GENDER- Both male and female.

SOCIAL GRADE- D, Unskilled middle class, E, State pensioners  

REIGON- National 

LIFESTYLE- Family based

Platforms
-Cinema
-Television 
-DVD ( for DVD players or games consoles)
-Internet Streaming
-Downloads ( for mobile phones, handheld devices, tablets, computers)

Animated/Animations- Dragon Ball Z 
Television
Internet Streaming
Downloads 

Age- 12-25 year olds
Gender- Male&Female, but mainly focused on male.
Social gender- D, Unskilled, skilled working class
Lifestyle- Kids, Teenagers, young adults based.
Region- National 













































  

Unit 9: Digital Editing In Moving Image

Raw footage- Labelled Rushes
Events- Folder for Clips

Learning Aims:
A) Understand the development of moving image editing.
B) Know the techniques and transitions used in digital editing for moving image.
C) Edit a moving image sequence following format conventions.
D) Review own moving mage edit

First public broadcast movie- Arrival of the train at La Cioat made by the Lumiere Brothers.
-Workers leaving the factory.

Editing?-
Remove unnecessary footage/ Put clips together, Transmits a message, order/sequence- storytelling
Establishment
Non diegetic- Naturally occurring such as music sound effect.
Close up- to make us feel uncomfortable
Creating a meaning by putting the shots together
Shot reverse shot- cutting back and forth
Eye lining matching- offscreen and up and offscreen and sitting down

Cuts- JUMP and CROSS cuts.
Elliptical editing- editing time

Different types of clips that had no editing HW.

Unit 3 Digital Moving Image Production

Lesson Objective:
1) Upload+ Present Kuleshov effect/ experiment.
2) Introduce unit structure
3) Complete format task

Programe formats- Films, Genres: Thriller, Horror, Action, Romance, Comedy, Adventure, SCI-FI. 
-News
-Documentary
-Animation, Stop motion, Manga, 
-Commercials/Advertisement
-Chat show
-Sports
-Soap Operas,
-News Magazines
-Game shows


Visuals- Location, Camera works, Lighting, Audio- SFX(sound), Diegetic sound(Naturally occurring),  personnel/ people-Actors, Cast crew, Roles
- Presentation-
 Formal: Documentaires
 Informal: Animations, Soaps

Match Of The Day (MOTD):
Roles: Presenter, 2 Pundits, commentators,
Cast Crew: Gary Linekar(Current Presenter), Alan Hansen(Co-Host), Alan Shearer(Co-Host), Mark Lawrenson(Co-Host),  Ray Stubbs( Replacement Presenter), Guest stars- David Beckham, Ian Wright.
Locations: Match of the day studios is based in Salford Quays, Salford, England in MediaCityUK studio.
Camera works:
Lighting:
Audio(SFX):
Diegetic Sound(Naturally occurring): Fans cheering

Unit 3

Lesso objective:
1) Definition of juxtaposition+ The Kuleshov effect/ Experiment.

Juxtaposition- Rich, poor, light , dark, pain, pleasure,
-Two things placed together with contrasting effect.
-Side by side for alternative effect.
-Two characters, symbols, theme combined in the same shot.

Unit 3 Digital Moving Image Production

Lesson objective:
1) Recap on storyboarding
2) Introduction to Kuleshov Experiment

Storyboard, visual script- Gives direction, Actors+ Crew members.
-Time
-Shot- Position
-Characters
-Lighting
-Description
-Props
-Location- Interior- Exterior
-Direction- Movement - tracking, pan, tilt, zoom.

RECCE- Reconnaissance

Ridley Scott-
-Director
-Dosent believe in Digital Storyboard

Angles+Composition
UpShots- High end shots
DownShots- Low end shots

"Juxtaposition"- the fact of two things being seen or placed close together with contrasting effect.

"Contrasting"- Emphasises the differences 

Montage Editing- Cut to action

Kuleshov- Is a film Montage. It is a mental phenomenon which viewers take an understanding of...

Pioneers of Animation/ Moving image DESTA

PIONEERS

George Melies- A trip to the moon

Lumiere Brothers-  Cinematographe 

Thomas Edison- Kinetoscope 

Edward Muybridge- Zooproxiscope 

3 MAIN STAGES (TRIPLE P)  

1) Pre-Production

Planning, Storyboard, Research, Proposal, Script,  

2) Production

The making, Filming, Editing, Image, Sound, VFX, (Rough Cut) 

3) Post-Production 

Improvement, Fine Tuning, Based on feedback. 

Final Cut

Montage Editing